Slipknot - All Hope Is Gone
Roadrunner Records (8/26/08)
Metal

With each release, Slipknot seems content to push the limits of its cacophonous, metallic assault with moments of blistering rage juxtaposed against haunting melody. The band (vocalist Corey Taylor, guitarists Mick Thompson and James Root, drummer Joey Jordison, bassist Paul Gray, percussionists Shawn Crahan and Chris Fehn along with Sid Wilson on turntables and sampler Craig Jones) continues to establish itself as a hard-hitting, anger-seething musical monstrosity with a thick, multi-layered sound courtesy of a nine-piece roster of talent.

Not quite as brutal as Iowa, not nearly as melodic as Vol. 3, with All Hope Is Gone the band still manages to push the envelope even further. There’s the pounding metal (“Gematria” with its chilling refrain of “what if God doesn’t care?”, “Sulfur” and “This Cold Black); there’s the haunting melodic (the epic “Gehenna” that chokes with melancholy … in a good way); there’s the threatening dirge (“Wherein Lies Continue” that incorporates more melody in the choruses); and the tracks that combine multiple elements (“Psychosocial” or the groove-laden “Dead Memories”). Even the album’s slowest track, “Snuff,” manages to quietly unfold with this subtle urgency that lulls the listener in with acoustic guitar and Taylor’s vocals before it gradually expands as each member begins to add elements as the song progresses into this full-bore explosion of sound.

Much has been made of Taylor’s style in Stone Sour and how this has influenced Slipknot’s overall sound. As a singer, there’s not much you can do to change your voice except in style. Having Taylor doing clean melodies and softer material to mix in with the screams only adds to the overall Slipknot sound. Apart from the voice (only at times), this is by no means a Stone Sour album. Not only would the eight other members of the group never allow that, but the thick sound and various layers to every song … well, just scream Slipknot. From the meaty riffs to the thunderous drumming and accentuating added percussion, the turntable scratching to the gang vocals … just put the title track on and crank the volume to 10 to see all these various elements seamlessly merge together into something no other band on the metal scene has done.

All Hope Is Gone isn’t the best metal album of the year, but is easily one of Slipknot’s strongest outings. The band continues to grow and modify its sound with each album without completely turning into a new monster. It’s not clear how much longer the band will last, but it certainly manages to continuously surprise.

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